How Much Is Canon Eos Rebel X S Camera Worth?

Imaging Resource rating

iv.0 out of 5.0

Catechism Rebel XS / 1000D
Overview

by Shawn Barnett and
Siegfried Weidelich
Review Date: 12/14/08

Catechism'southward new EOS Rebel XS is a new budget digital SLR designed to compete with Nikon'southward D60 and other sub-$700 digital SLR cameras by Pentax, Olympus, and Sony. To encounter the lower price point, the Canon XS includes fewer of the features of the Insubordinate XSi, but the XS is still a quality offering in its own right.

The Catechism Rebel XS shares some features with the XTi announced in 2006, with a 10.i-megapixel image sensor and a 2.5-inch LCD, compared to the Rebel XSi's 12.1 and iii-inch LCD. The XS likewise returns to the vii-point AF sensor from the Rebel XT, compared to the nine-point AF sensor in the XTi and XSi). The XS also returns to 12-bit processing compared to the XSi's fourteen-bit organization, and the infrared remote control on the front end and proximity sensors on the back are also removed in the XS.

Though Canon says that the Rebel XS is capable of shooting JPEGs at a steady three frames per second up to the available flash carte capacity (we got 7 frames with our hard-to-shrink target), RAW shooters may be disappointed to detect that the Canon Rebel XS can only manage 1.five frames per second when shooting in RAW mode. Fifty-fifty though the pace is much slower, the XS also manages to capture just half dozen RAW frames before the buffer fills (nosotros got iv RAW frames in our testing).

The Canon XS maintains some very of import features that could make it a worthwhile upgrade for XT and XTi owners. Most notably, Canon Rebel XS has a live view mode with phase-detection or dissimilarity-detection autofocusing. In that location's too Catechism's DIGIC III image processor, while the XTi was based on the older DIGIC Two processor. The newer processor offers better functioning and prototype quality. Battery life should be increased by around l% as compared to the XTi, with the Rebel XS using the same LP-E5 battery from the XSi.

The Catechism XS kit includes an fantabulous image-stabilized 18-55mm lens, rounding out the package, improving the camera'south ability to compete in this increasingly image-stabilized market.

Catechism Rebel XS Pricing and Availability

Shipping as of August 2008, the Canon Rebel XS is available in a kit version which includes the EF-S xviii-55mm f/3.five-5.half dozen IS zoom lens, at an estimated retail toll of Us$699 or less. Two versions are available, one in black and one in silvery.

Catechism Insubordinate XS User Report

by Shawn Barnett

Canon'due south original Digital Rebel debuted in 2003, breaking new ground and bringing digital SLR technology inside the grasp of consumers with a sub-$one,000 toll tag. Until at present, Canon has maintained 2 digital SLRs nether that price indicate, just the two were ever the latest model and the previous model. The Catechism Rebel XS marks the beginning time Canon has had ii new digital SLRs in the under $one,000 category. Though the word "Digital" has been dropped, the Canon Rebel XS continues the tradition of bringing advanced digital camera technology inside the range of the coincidental lensman, with a price that leaves room in the budget for an extra lens or two.

While the step from the Insubordinate XT to the Rebel XTi brought more internal than external changes, the Rebel XSi and XS are more than complete overhauls, and the XS is subtly different from the XSi. Many of the external changes are welcome, including the slightly taller grip and bigger LCD, but the XS has the aforementioned sensor as the XTi, so not much is new there. Something the XS has that the XTi does non is Alive View with both phase- and contrast-detect autofocus, an image-stabilized lens, and several new automated features.

Canon Rebel XS Look and feel

My favorite part about the Rebel serial is its pocket-sized size. I shoot other SLRs when I need more advanced features, similar a faster frame rate, but sometimes the only photographic camera that volition do is a pocket-sized SLR, and the terminal iv Rebels are amidst the smallest. The Canon Rebel XS is simply a footling larger than its predecessor, just information technology looks bigger, and its contours are a little smoother. The XS is well-nigh two millimeters wider and four millimeters taller than the XTi, and weighs nearly threescore grams less, despite the heavier image-stabilized lens. So while it's a footling bigger, the Canon Rebel XS is less of a burden when walking around.

Catechism has improved the grip again, adding a slightly taller grip area. My iv fingers fit near entirely, with just about three millimeters of overhang. The grip is non as overnice equally the XSi's grip, and the XS has no rubber pad on the back to serve equally a thumbgrip.

XTi Shutter release	XS Shutter release
Niceties. The Rebel XS's shutter release button (correct) is canted more aggressively similar Canon'southward semi-pro SLRs, with a dainty wide pad for the finger to rest in.

The diopter bicycle is a little larger than the XTi's for easier access, and the Canon XSi'due south lens release button is a little larger too.

Shutter release. It takes a real camera geek to notice, only the shutter button is set at a more aggressive angle than all Rebels but the XSi; it now matches the angle of the semi-pro Canon 50D camera and pro 1D. It's not a big deal, but information technology does make information technology easier to gently squeeze that important button when its activation angle matches the natural bend of the finger.

Contours and accents. The Catechism XS looks less like the XSi and more like a smoothed-out XTi. The pop-up flash that was a singled-out chemical element of the XTi is flush with the residue of the XS'south flow. While the XTi's metal parts, the hot shoe and strap loops, are painted black, those of the XS are metal. I adopt the black, but pigment wears off, and the XS's silver won't testify the wear quite equally clearly equally the painted parts. The new pattern also eliminates more than parts compared to both the XTi and XSi.

Button displacement. The 3-inch LCD on the XSi'due south rear pushed the buttons off the left side, necessitating quite a shuffle of buttons and their assignments. Though the XS's LCD is smaller, they likely used the same internal components from the XSi, and so the left buttons did not return. The result really looks a lot cleaner, though, and your middle has to search fewer places for the diverse controls. The downside is that the button for one of the most-inverse functions, ISO, has moved to the Canon XS's superlative deck, right backside the Command punch. When I first saw this move, I liked the idea; in utilize, though, it'due south a pain. ISO buttons only vest on the pinnacle deck when at that place'due south a divide Condition LCD upwards there, like on the Canon 40D or Nikon D300. But because the Condition display is on the dorsum, the ISO push button should be at that place too, since y'all're less likely to even think of looking at the top deck. Some of the buttons and logos on the rear of the XS as well got larger than those on the XSi, maybe to make them more obvious.

The four navigation buttons, which Canon calls Cross Keys, behave improve than they once did in Record mode. Specifically the White Balance button, which was the downward button on the XTi, used to crave pressing the left and right arrow keys to make changes. That push button has been reassigned to the Motion-picture show Styles bill of fare, but now the icons are oriented in a vertical column, and pressing the same button repeatedly scrolls through the diverse styles. The AF push, for its part, activates with the right button, and repeatedly pressing the right push also scrolls through the horizontally oriented options. Naturally, using the left arrow scrolls in the other direction, but the menu wraps, so you can just stick to one push. White Balance has been given its own push button, so yous still take to become to the left and right arrows to make changes, but at to the lowest degree all the arrow keys work logically.

Canon XS Viewfinder. Click to come across the callouts.

Catechism Rebel XS Viewfinder

I key complaint about past Rebels was the extremely tight viewfinder. While the Insubordinate XSi remedied that somewhat, with a 0.87x viewfinder magnification, the XS'southward viewfinder is simply 0.81x, close to the XTi'south 0.80x magnification. Coverage accurateness co-ordinate to our tests is 95 percent, about what Canon claims. The viewfinder is also supposed to be brighter, thank you to a more efficient blanket on the pentamirrors. I didn't notice whatsoever divergence.

The viewfinder's status display now shows the ISO setting all the time, which is a plus. Just press the ISO push button on the top deck, and turn the Main dial to scroll through the options, pressing it again to lock it in. So it appears there is some reward to having the ISO push button on the top afterward all.

Those used to the Rebel XTi and XSi won't recognize the Insubordinate XS's AF arrangement, which only has seven points instead of the later diamond-shaped, ix-point AF organisation. This system was introduced in the original Digital Rebel, and also appeared in the followup Rebel XT. It's a good organization, and works very quickly, as our test results prove.

Canon Insubordinate XS Live View

Though I still advocate using the optical viewfinder nearly of the time when shooting with an SLR, I've used the Alive View style oftentimes enough now that I know there are times when nothing else will practise.

In that location are two modes to the XS's Alive View arrangement, selectable via Custom Part 7. Alive View is disabled by default, by the way, and so you'll need to discover this menu item in Settings Menu ii to turn it on. The ii options are chosen Quick and Alive modes. Quick mode works as virtually Live View modes do, dropping the mirror when you press the AE-Lock button (marked with an asterisk) to apply the conventional phase-detect autofocus organisation. This temporarily blacks out the Live View image, which makes it impossible to know that you're even so framing the subject area and belongings your AF point in the proper identify.

That'south why they added the second way, which they telephone call Alive, but is better described every bit contrast-detect autofocus. This works but like a digicam, reading the image from the imaging sensor while adjusting the lens for the setting that produces the most contrast in the image. A small square appears in the heart of the prototype area, and you lot tin motion information technology effectually with the cantankerous keys. Just like Quick mode, unfortunately, y'all have to printing the AE-Lock button first until you lot hear the focus confirmation beep, and so press the shutter button to fire. It'southward a footling slower at times than phase-detect mode, simply it gets the job washed. Alive mode is actually better for tripod work, where you can place the AF area right where you want it and ostend focus onscreen.

Both modes offer the ability to zoom in on your live view, excellent for confirming focus before capture. Using the Magnify button merely right of the AE-Lock button, you can zoom in 5x or 10x, then press the AE-Lock button to focus if yous similar; merely of course y'all can't confirm framing in that mode.

Another "digicam" benefit that comes cheers to Live View style is Exposure Simulation, where the image you come across onscreen in non-flash shots volition announced approximately how your final image will look. If you're virtually to underexpose the image, for example, the Alive View image will appear dark; or as well bright if your settings volition overexpose. It's peachy for fine-tuning in Manual manner. Exposure Simulation isn't always desirable, but it'southward something many digicam owners are spoiled by without even knowing information technology'southward unique.

A grid can be displayed on the display in Live View, as well as a histogram, though similar the Canon 50D, the histogram isn't translucent, instead blocking nigh 1/4 of the screen.

Like all other Canon Live View cameras, y'all tin connect the Canon XSi to your computer via a USB ii.0 cable and encounter a alive paradigm on the computer, besides as remote control the camera from the calculator.

Different the XSi, the Rebel XS doesn't have a dedicated Alive View push button; instead Live view is activated with the Set push.

Imperfection. It's frustrating when they get so very close to excellence, yet leave out something important. Though I call up it'southward slap-up that the Rebel XS's main Quick way includes an image of the seven autofocus points overlaid on the image, the chosen AF points don't calorie-free up cerise after you've pressed the AE-50 push (marked with an asterisk in a higher place the push) to focus, making them near useless. What it does show y'all if you meet all seven AF points is that you are in Auto Select mode; and if you have selected a single AF betoken, simply that point shows. So it's not a full loss, just it would be a lot improve if the Live View brandish behaved similar the optical viewfinder. This was a trouble with the XSi, just the Canon 50D fixed the problem in its Live View implementation.

My other beef is left over from the Catechism 40D'southward Live View mode: I love that it has a histogram display option, but I can't empathize why you'd make something that takes upwardly most one-quarter of the screen completely opaque. Other companies take managed translucent histograms for years. Canon needs to go this coded up and loaded up, and quick.

Large LCD. The 2.5-inch LCD is substantially the same as XTi's, simply moved around a fleck. More of an aesthetic outcome is a slight improvement to the Canon XS's rear Condition brandish, with improved graphics and four color palates to choose from.

Canon Insubordinate XS Lens

One of the greatest improvements to the Canon Rebel XS kit is its new image-stabilized 18-55mm lens. Canon improved the lens characteristics dramatically. It offers better corner sharpness, better chromatic aberration command, and sharper images overall. Its xviii-55mm zoom range is equivalent to a 29-88mm lens on a full-frame 35mm camera, a skilful mid-range zoom lens. Optical image stabilization technology sweetens the deal, offering sharper shots even in low light. Canon claims you can shoot at upwardly to iv stops slower than normal and even so go a stable shot. That means that if yous can commonly get a stable shot at 1/threescore second, you should exist able to clasp off a 1/4 second shot and have it come out sharp. If yous're a fairly steady shooter, it seems to be truthful. Your results may vary, and call back that prototype stabilization compensates for camera motility, not for subject move, so tell them to concord very nonetheless or shoot with a faster shutter speed at a higher ISO.

One unusual aspect to the new EF-S xviii-55mm lens is its tendency to ring audibly while the image stabilization motor is running. My former EF 28-135mm IS lens makes some noise while it'due south operating, but non like this high-pitched ring. It's abrasive, unfortunately. I'd still purchase ane of these lenses for myself, but if you lot're sensitive to high pitched sounds, the ringing might cutting through your head after awhile.

Canon Insubordinate XS Menus

The XS has inherited the more versatile menu system from the Canon 40D. With the XTi, y'all always have to roll to the pinnacle of the list and highlight the tab to motion to the side by side tab, but it'due south easier with the XS: just use the up and down arrows to motion upward and downwardly in the bill of fare, and use the left and right arrows to switch between tabs, regardless of your position in the listing. Your previous menu selection is retained when you render to that tab, another benefit when changing the same setting frequently.

Though certain functions are buried in sub-menus, like the Flash Exposure Bounty (mentioned below), there's a new MyMenu tab which you can program with 6 of your most-used card items for quick access.

Canon Insubordinate XS Flash

There's not much new about the flash performance, but a few items take changed, including the release claw and retention rails in the pop-upward flash, which are now plastic instead of metallic. Adjusting the flash exposure compensation isn't as easy as before, however. Whereas you used to detect it just below AE bracketing on the second Record menu, now information technology'southward buried on the second Settings carte, at the bottom of the list, under Flash Command. And then you accept to curl to the Congenital-in wink func. setting, and go into yet another menu where you can scroll down to Wink exp. comp. That's four steps where you used to make only ii to adjust flash exposure bounty.

Otherwise, the built-in flash performs well, capable of good exposures out to 15 feet at wide angle. Coverage at this distance isn't very even, only it serves amend at closer distances anyhow.

For better flash photography indoors or out, I recommend an external wink like the Catechism 430EX Speedlite, or the 430EX II. Though I commonly used a 580EX, the 430EX is smaller and lighter, amend suited to the Rebel XSi. Canon'south E-TTL II wink control organization delivers excellent exposures with these units, whether bounced or direct.

Catechism XS storage and battery

Some Canon digital SLR fans might not like the Catechism XS's switch to SD/SDHC cards from the CompactFlash carte du jour standard yet in utilise in professional digital SLR cameras. The advantage to SD is that y'all're less likely to impairment the simpler connector interface by inserting the card incorrectly, whereas the CompactFlash header's many pins are often damaged when beginners effort to insert the cards sideways. SD cards cannot be put in sideways, accept a sturdier, simpler contact design, and the cards are also now quite affordable and common, so the time was ripe for a switch. Pros who behave a Rebel as a fill-in might be a little annoyed to take to carry two types of card, merely 1 8GB SDHC card goes a long way (and pros with 1D-type bodies will already have an SD card for their second slot).

At that place'due south also a new battery for the Canon XSi, the LP-E5. This new 1080 mAh lithium-ion battery offers 50% more chapters (~500 shots total with 50% flash usage) at nearly the same weight. Whereas the power pads on the NB-2LH battery used in the XTi could easily crusade a fire if exposed to metal in a pocketbook or pocket, the new LP-E5 battery's contacts are concealed inside a pocket-size protrusion out the side of the battery, making a pants fire less likely. Which is nice.

The battery door's swivel is no longer equally robust equally the fine metal hinge that locked into a metal subclass with a springloaded pin in past models. The new design is quite similar to the Nikon D60's door hinge, a plastic organisation that allows removal with a quick pull on the door at a 45 degree angle.

There are many other trivial changes that are worthy of notation, including a new Continuous Self-timer way that allows capture of many shots in succession.

Canon XS Processor and Features

Canon uses the DIGIC III processor in the XS, but the Rebel XS is limited to 12-chip analog-to-digital processing, rather than the xiv-scrap image processing, nor can it capture 14-bit RAW files. And so though the XS has a powerful processor, Canon chose not to apply it for capturing smoother images, as the XSi does.

They exercise yet use the DIGIC 3 processor to power their Auto Lighting Optimizer manner, which works to maintain highlight and shadow detail, working similarly to Sony's DRO and Nikon'due south Active D-Lighting. Canon's literature says that the Auto Lighting Optimizer mode uses Canon's Face Detection technology to make sure faces are exposed properly in backlit situations. Unlike Nikon'south D-Lighting, nonetheless, information technology cannot be practical afterwards capture. It's designed to enhance photographs for direct printing, camera to printer, via PictBridge. Nosotros didn't notice much of an effect in our tests, though.

ISO. The Canon XS'due south highest ISO setting remains low compared with other recent offerings from other companies, ranging from 100 to 1,600. Image quality across the range is good, except in sure situations, with ISO 100 shots producing good 13x19-inch prints, and ISO ane,600 shots looking good at 8x10 inches.

Catechism Rebel XS Shooting

Shooting with the Rebel XS comparable to the XSi. The grip is great, making the photographic camera feel a little less tiny, and the curves make treatment the camera comfortable all around. Salvage for the new ISO push button'south position, controls are very proficient, improved when the larger LCD eliminated the left-side buttons. Checking exposure and focus is a lot easier with the larger LCD, and thanks to Live View, you can quickly check focus before y'all capture.

The new image-stabilized lens included with the Canon XS is excellent, quite an improvement over the last model. Its zoom ring works more smoothly, and the knurled grip is easier to agree. Image stabilization works very well, serving upward more high quality shots in very low light. The lens isn't USM, which means it doesn't have an ultrasonic motor for fast, nearly silent focusing, only the motor isn't disagreeably loud at all, and it's fast enough.

Because it's an EOS camera, it'southward compatible with most of my other EOS gear.

Frame rate. The Canon XS's frame rate tests a little slower than the Catechism Insubordinate XTi: 2.93 frames per second, for a maximum of vii before the charge per unit slows down, compared to three.0 fps with a maximum of 8 frames earlier slowing in our lab torture test. When shooting in RAW fashion, this frame rate is cut in half, down to 1.five frames per second, while the XTi was able to capture 3.0 fps regardless of file blazon. The shutter sound is different from the XTi, but yet includes a lot of whirring and stomping, instead of a overnice, simple click-click. Some might prefer the winding sound, but to me it draws as well much attention.

The new lens release button makes it a little easier to change lenses, and while it's hard to get used to a Catechism SLR with a small SD card door, it does fit the pocket-size body of the Rebel XS. It has thrown me on occasion when my standard complement of CF cards was no help after I'd filled an SD card. At present I carry both.

Shooting in Alive View mode is pretty easy once you get used to information technology; though focusing by pressing the AE-Lock button is a little cumbersome when shooting from odd angles. I suppose they separated the buttons to avoid the confusion of the mirror going upwards when you one-half-press the shutter push button. Surely that would make many users retrieve they'd taken a flick, as it did with the early Olympus live-view SLRs. And in "Live" AF mode, it'southward a lot slower than some digicams, especially in depression light with camera movement, so I'm sure that's why they left AF activation on the AE-Lock button.

Likewise as it works, I recommend against using the Live View way as a default shooting method. Use information technology for fine focusing while shooting from a tripod, where y'all can afford the time to confirm or specify which focus indicate or area is in use, or when shooting from odd angles, only yous get better camera stability when shooting with the camera held to your face than you do holding information technology out in front of yous. Battery life too drops from 500 to 190 shots when shooting in Alive View, so invest in a spare battery if Alive View is your affair.

There's then much most the XS that'south similar to the XTi that at that place'due south not much new to say about the camera shooting feel. It works well, is fun to shoot with, and captures pretty adept images. Speed, unfortunately is not up to the XTi's standard, and if that's important to yous, consider the Rebel XSi. The main feature that the XS has over the XTi is Live View.

Canon XS Image Quality

Every bit I mentioned earlier, the Canon Insubordinate XS has good image quality, simply not equally good as we'd like. Canon has fabricated many changes in how they compensate for noise, especially chroma noise, and in specific situations, at that place are demosaicing errors that create disturbing patterns that are difficult to remove.

However, the Canon XS'southward ISO ane,600 setting is impressive, creating usable prints at up to 11x14-inch print sizes. Yep, there'south racket, but it'due south hardly noticeable, which is impressive for ISO 1,600.

Canon XS vs Canon XTi at ISO 1,600

Canon Insubordinate XS at ISO i,600	Canon Insubordinate XS at ISO ane,600 with High ISO noise reduction	Catechism Rebel XTi at ISO 1,600
Retrieve that these images above are shown at 100 per centum, and captured at ISO 1,600. Past default, the Catechism Rebel XS leaves about equally much chroma noise in the image as did the XTi. There's a footling more sharpening applied to the XS images, which makes images pop better for consumers. In between the 2 images are crops from the image captured with High ISO Noise Reduction applied. You can encounter that at that place is slightly less particular, but there is much less chroma noise, especially in the shadows. The Rebel XS does pretty well against the XTi in these tests.

Canon XS Demosaic Errors

Canon Insubordinate XS at ISO 100	Catechism Insubordinate XSi at ISO 100
In the Rebel XS images starting at summit left, y'all can see some foreign horizontal bands in the strands of hair, bands that do non appear except in a few places from the XSi images. The 2nd prepare of images reveals more demosaicing errors that show up as chroma noise. These errors only evidence up in vertical lines, and are not express to this red hair. They likewise touch on the XSi image, simply the noise suppression organisation deals with them a picayune better. The bottom images show both artifacts. Between the nine and ten in the scale higher up, you can see blueish and red tints, where there are merely black and white lines. In the scale beneath that, just higher up the words "Same SIZE," y'all can run into the banding again, where there should be lines that radiate out from this bicycle's center. These lines, though faint, also announced in the Rebel XSi image. While nosotros've plant these artifacts in other cameras, including the Nikon D300 and Canon 50D, they're never as pronounced equally we've seen from the Canon XS. The best we tin can figure is that Canon weakened the low-pass filter which results in more demosaicing errors. When the camera makes mistakes interpreting colors from the crimson, light-green, and blue filters in the photographic camera, you end up with the faux color artifacts and odd diagonal lines amongst objects with very fine linear detail.

The demosaicing errors mentioned in a higher place are really the just major aspect we observe problematic about the Canon Rebel XS. And the fact is that many people won't see information technology at all. Ironically, every bit yous heighten the ISO on the Insubordinate XS, some of these artifacts become less noticeable, peculiarly the diagonal bands. When we printed the images to see when the artifacts would appear, we found that the color errors appeared early on, affecting images at ISO 100 when printed at 8x10. We knew what we were looking for, however; most would non observe the effect at all. The diagonal banding didn't appear until 11x14, and didn't really stand up out until printed at 13x19 inches. So take it with a few sprinkles of salt, and the XS is yet a skillful, usable camera.

You have to determine whether the above artifacts would carp you if you didn't run across them at 8x10, specially when you consider how little y'all paid for your rather capable SLR.

You can use the Rebel XS to become keen images almost all of the time, and you'll get impressive detail at all ISO settings, so we think the tradeoff of artifacts against high ISO functioning is worth it for the average consumer lensman on a budget.

Analysis. The Canon Rebel XS is a good quality digital SLR camera, well-suited to the consumer shooter looking for a little more than from a digital photographic camera. Canon sought to compete with Nikon and Pentax at the extreme depression price level, and they had to cut a few corners. The body isn't quite as prissy every bit the Catechism Rebel XSi, and the image quality suffers from a few more than hitches, just you'll merely find if you zoom to 100 pct onscreen and search effectually like we exercise. The Canon Insubordinate XS's epitome stabilized lens and impressive loftier ISO performance should mitigate well-nigh of the other problems, and the Rebel XS's fast autofocus should make this yr'southward holiday pictures better than ever. While we actually similar the Canon Rebel XS for consumer photographers on a budget, most enthusiast shooters will be ameliorate served with the Canon Rebel XSi kit, which is available for well-nigh $200 more.

Canon Rebel XS Basic Features

• ten.1-megapixel RGB CMOS sensor delivering 3,888x2,592-pixel images
• Single-lens reflex digital camera with interchangeable lenses (supports all Catechism EOS series lenses). Focal length multiplier of 1.6x as compared to a 35mm camera
• Variable ISO (100, 200, 400, 800, and one,600 settings)
• TTL optical viewfinder with detailed information display, diopter aligning, and depth-of-field preview
• ii.5-inch, low-temperature TFT LCD with 230,000 pixels and Alive View display mode
• Automatic, Program AE (shiftable), Shutter Priority, Aperture Priority, Depth-of-Field AE, and Manual exposure modes, plus Portrait, Landscape, Close-upward, Sports, Night Portrait, and Wink Off programmed modes
• Variable white remainder with Auto, six manual presets, and a Custom setting (reads from a neutral gray or white carte), every bit well every bit a color correction tool and bracketing function
• External hot shoe supports E-TTL II metering, FEL, and FP (high speed sync) wink with Canon EX Series Speedlight
• Flash exposure lock function (FEL)
• 35-zone Evaluative metering linked to all focusing points, Center weighted average metering, or Partial (10%) fundamental-surface area metering; metering range of EV 1 to 20 (at normal temperatures, EF 50mm f/1.4 USM, ISO 100)
• Adjustable exposure bounty from -2 to +2 EV in one/3 or i/2 EV increments in all exposure modes
• Auto exposure bracketing (AEB) from -2 to +ii EV in 1/3 or 1/2 EV increments in all autoexposure modes
• Shutter speeds from 1/4,000 to 30 seconds, and a Bulb setting for longer exposures
• Electronic cocky-timer with a fixed duration of 10 or two seconds
• Image storage on SD or SDHC memory cards

Catechism Insubordinate XS Special Features

• Alive View mode includes two focusing modes: Quick, stage-find mode, and Live, contrast-detect fashion
• Dust reduction and automatic sensor cleaning
• Moving-picture show Style carte du jour offers 6 presets plus three user-defined settings for contrast, saturation, sharpness, and tone
• Continuous Shooting fashion capturing as many as 54 images as fast equally 3 frames per second (with shutter speeds of 1/250 second or faster), co-ordinate to Canon
• TTL autofocus with seven focusing points, manually or automatically selectable; Ane shot AF, Predictive AI Servo AF, AI Focus AF, and manual focus with AF assist beam, depending on exposure mode selected; working range of EV 0.v to eighteen at ISO 100
• Built-in E-TTL Two retractable-type wink with red-eye reduction; guide number is 13/43 at ISO 100, chiliad/ft, flash angle said to cover the field of a 17mm lens (27mm in 135 format); topside hot shoe for external wink connection of EX Speedlite flashes
• E3 remote control socket; no infrared remote command (something the XSi has)
• Available resolution settings are: 3,888 10 2,592; ii,816 10 1,880; and i,936 x one,288
• Red-centre Reduction via pulse flash
• Optional external manus grip/battery pack adds secondary shutter release and control bike, too as AE lock and focus point buttons for vertical-format shooting
• NTSC/PAL selectable video out connectivity
• DPOF (Digital Print Guild Format) and DCF (Design Rule for Photographic camera File System) compliant
• PictBridge; Straight Print capability to selected Canon photograph printers
• USB 2.0 connectivity with TWAIN driver for PC and Adobe Photoshop plugin for Macintosh

In the Box

The Canon EOS Digital Rebel XS Kit comes with the following items in the box:

• Canon Rebel XS digital SLR camera body
• EF-South 18-55mm f/3.five-5.6 II lens
• Torso cap
• Lens caps (front and back)
• Neck strap
• Center cup
• LP-E5 bombardment pack and charger
• Video cable
• USB cable
• Software CD
• Educational activity manuals and registration information

Recommended Accessories

• Additional battery pack
• Air-conditioning adaptor
• Big capacity SDHC or SD memory carte du jour at least a 2GB card, preferably a 4GB one, to requite you even more room
• Soft case

Catechism Insubordinate XS Conclusion

Pro:

Con:

10.1-megapixel sensor with depression noise and adept item Live View mode works well Alive View mode offers a choice between phase-detect and dissimilarity-detect modes Zoom in v or 10 times with Live View Prototype-stabilized kit lens is first-class optically Small size is great for travel and all-mean solar day bear Dust removal applied science largely eliminates sensor cleaning chores 2.5-inch LCD with a wide viewing angle for meliorate epitome sharing and focus check Taller grip makes for a more than comfortable hold Integrated status brandish conveys a lot of data Print/Share button enables quick and like shooting fish in a barrel printing and image transfer Fast autofocus AF arrangement works well in depression light Viewfinder shows lots of information, including ISO Pic Styles makes choosing and customizing color modes fast and piece of cake Compatible with over fifty lenses and accessories SD cards are inexpensive and easy to discover Selectable auto-rotation characteristic rotates on the camera or only in the estimator Shutter button design allows followup shots without refocusing Skilful macro functioning from the kit lens Images are abrupt Color is very accurate, with only cerise existence a little high, which consumers generally like Auto white residual handles most situations very well Impress quality is splendid, making abrupt 13x19-inch prints Loftier ISO shots are surprisingly good, easily usable at 11x14 Keen shot-to-shot, shutter lag, and cycle time numbers Suitable for the inexperienced amateur, perfectly usable by the seasoned Great value at electric current street prices

AF-assist adjustment and Wink Exposure bounty are cached in the Flash Settings carte du jour. In Alive View Quick AF mode, photographic camera does not tell you which AF points are in focus Kit lens produces somewhat high barrel baloney at wide angle Flash coverage is uneven, falling off in the corners More than than average exposure compensation required for well-exposed flash shots Indoor white balance is a quite orange Battery chapters is reduced with pregnant use of Live View way and dust off system Switch from CF to SD may bother experienced EOS users ISO range is not as wide as college-end offerings Front lens barrel rotates, making polarizer lens utilise difficult Live View shutter lag is a little longer than with the optical viewfinder Small, tight viewfinder No true spot metering Demosaicing errors introduce noticeable artifacts in images: imperial and yellow blotches in fine vertical lines (similar hair or screens), and diagonal lines that create a moire blueprint Frame rate slows past one-half when shooting in RAW mode No wireless remote support

Canon will likely sell a lot of Rebel XS kits. Information technology's a pretty good SLR at a pretty astonishingly low toll, and that'due south what it was designed to be. Most consumers will be very happy with the Canon Rebel XS, thanks to the high quality, image-stabilized lens, the well-rounded feature-set, and impressive print quality. But there are a few technical foibles that enthusiasts will exercise well to take note of.

However, that won't affect most shooters, every bit it's the rare person who enlarges to 11x14-inches, let alone 13x19 or 16x20. The practiced news is that Canon fabricated small but of import improvements to the grip and controls, and kept virtually of what is great about the XS's predecessor. Calculation Alive View and epitome stabilization addressed a few elements that other companies, namely Olympus and Pentax, take had in their favor at the depression-price end of the market. If anyone knows how to address the image stabilization trouble, it's Catechism, with years of experience and a proven track record.

The new 18-55mm IS lens is significantly improved, as our SLRgear.com tests show. There is surprisingly piffling corner softness and chromatic aberration, and the lens's build is better than past models. It delivers such a good focal length range with so niggling weight that I recommend most people buy the kit to get this fine little lens for those days they but desire a light, high-quality optic along.

The Rebel XS shares the faster shutter lag numbers we saw in the XSi. Shutter lag lengthens in Live View mode thank you to the demand to close the shutter earlier the actual exposure, but that'due south to be expected. Information technology's nonetheless very fast. Learn to shoot with the optical viewfinder by default, leaving Live View for special situations and tripod use, and you'll be happier with the experience. Well-nigh of the benefit of an SLR can exist found in that optical viewfinder, with a truly real-time view of your subject field. Unfortunately, the viewfinder of the Rebel XS isn't much bigger than the XTi, so for a better view lean again toward the Rebel XSi.

The Canon EOS Rebel XS'southward JPEG images are sharp and prepare to get right from the camera. Enthusiast photographers won't like this, but this isn't an enthusiast camera. Consumer photographers volition be very happy with their images. Stick with JPEG shooting nearly of the time, and you'll be happy with the 3-frames per 2nd charge per unit. If yous program to shoot RAW images at all, or sports, look to the Canon XSi or better notwithstanding the Canon 50D.

The Canon Insubordinate XS is a very skillful camera for the coin, peculiarly with a good-quality image-stabilized lens. If you'll never enlarge above 8x10 or want to shoot low-light and indoor images that yous'll enlarge to 11x14, the Catechism Rebel XS is a very adept choice at a very low cost, and a Dave'south Picks amid bargain digital SLRs. If you want a slightly faster, more capable photographic camera with the same excellent lens and an excellent image sensor, requite the Canon Rebel XSi a closer wait.

Buy the Catechism XS

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Source: https://www.imaging-resource.com/PRODS/XS/XSA.HTM

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